PANDEMONIUM

My current body of work explores the movement and interaction of birds, captured through layered lines that mimic the visual rhythm of time-lapse imagery. Each bird is drawn with fidelity to its original form, yet as they pass through one another, they generate new and unintended shapes and forms, born from the intersection of motion and presence.

This process results in what I think of as a controlled mess; a tension between precision and chaos, structure and spontaneity. Though each lines originates from an identifiable subject, their convergence forms something larger and more abstract; a record of time, of space shared, and the complexity that arises when singular paths overlap.

These works reflect my interest in how individual elements can maintain their integrity while also contributing to a collective pattern, one that is dynamic and unpredictable.